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Raag Bihag


Swaras Rishabh & Dhaivat forbidden  (varjya) in Aaroh, Both Madhyam, rest all Shuddha Swaras
Jati Audhav - Sampurna Vakra
Time (9 PM - 12 Night) : 2nd Prahar of the Night : Ratri ka Dwitiya Prahar
Vishranti Sthan S G P N - S' N P G
Mukhya-Ang ,N S G - G m G - P sM P G m G - P sM G m G - RS
Aaroh S G m P N S' 
Avroh S' N D P M G m G G R S ,N S

Vishesh : This is a very sweet melody equally popular with both the beginers as well as experts.  P sM G m G combination is at once characteristic of the Raag. The Shuddha Madhyam (m) is employed mainly during Aaroh for beautification viz M P M P G m G or  MP D MP D M P G m G or PM DP MP G m G.
Madhyam  remains Shuddha (m) in Avroh and only in P M G m G  the Madhyam Teevra (M) is employed. This combination is very useful for Vipralambha Shringar Alankar (Separation). An occasional use of N sD P - M P G m G is also noted in expert exponents' presentations rather than N D P.