|Swaras||Rishabh & Dhaivat forbidden (varjya) in Aaroh, Both Madhyam, rest all Shuddha Swaras|
|Jati||Audhav - Sampurna Vakra|
|Time||(9 PM - 12 Night) : 2nd Prahar of the Night : Ratri ka Dwitiya Prahar|
|Vishranti Sthan||S G P N - S' N P G|
|Mukhya-Ang||,N S G - G m G - P sM P G m G - P sM G m G - RS|
|Aaroh||S G m P N S'|
|Avroh||S' N D P M G m G G R S ,N S|
Vishesh : This is a very sweet melody equally popular with both
the beginers as well as experts. P sM G
m G combination is at once characteristic of the Raag. The Shuddha
Madhyam (m) is employed mainly during Aaroh for beautification viz M
P M P G m G or MP D MP D M P G m G or PM DP MP G m G.
Madhyam remains Shuddha (m) in Avroh and only in P M G m G the Madhyam Teevra (M) is employed. This combination is very useful for Vipralambha Shringar Alankar (Separation). An occasional use of N sD P - M P G m G is also noted in expert exponents' presentations rather than N D P.