Swaras | r,d (Rishabh, Dhaivat Flat or Komal), Both Madhyam m & M, Pancham forbidden (varjya), rest all Shuddha Swaras |
Jati | Shadhav-Shadhav Vakra |
Time | Late night to Dawn (3AM - 6 AM) : 4th Prahar of the night : Ratri ka Chaturtha Prahar |
Vishranti Sthan | m N - S' N m |
Mukhya-Ang | ,N r G m M m - G m d N d M m - r' N d M m - G m M m - G - M G r S |
Aaroh | ,N r G M d N S' |
Avroh | S' N d - M d M m - G M G r S |
Vishesh : This raag is a sweet melifluous combination of both
Madhyamas (Shuddha & Teevra) i.e. m & M requiring critical attention
to the Komal Dhaivat d employed herein. This note is a shruti in between
Shuddha Dhaivat D and commonly played Komal Dhaivat d of Raag
Todi.
It is for this reason that its correct position should be rigourously
practices afer hearing it from the Guru (Gurumukh). The following combinations
help in fuller menifestation of its real character that is effective in
producing
Bhakti, Karuna & other Rasas
viz;
,N r G m M m - G m d N d M m - M d N S' -
M d M S' - S' r' N d - M d N M N d - M d M m - G m M m - G - M G r S