Swaras | r, d (Rishabh, Dhaivat Flat or Komal), Gandhar Nishad Varjya in Aaroh, occasional flat Nishad (n) |
Jati | Audhav - Shadhav |
Time | Dawn time ( Brahma Muhurt ) |
Vishranti Sthan | S , P d ; S' d m r |
Mukhya-Ang | r r S ; r m ; m P d ; P d n d m ; r r S |
Aaroh | S r m P d S' |
Avroh | S' N d P m m r S ; d S r r S |
Vishesh : Jogia or Jogi. Jogi is a corrupt form of Yogi
where one can appreciate the characteristic mood of devotion and detachment
created by this melody. The intensity of this feeling by repeated pause
on Dhaivat and rishabh together with the abrupt ending with d S or
,n ,d S s makes for the deep involvement of the audience in its
atmosphere. Following combinations are illustrative: S r r S ; ,n ,d
S ; d S r S ; r m r S ,d S ; ,d S r m ; m ; mP mm P m r ; r S ; ,d S ;
m P d m ; m P d d S ; S r r S ; d d S s ; d S' r' r' m' ; m' P' m' m' r'
; d r' S' ; n d S' ; n d P d m ; P m r r S ; rm Pd m ; Pd N dP m Pm rs
S r r S ,d S;