Swaras | Rishabh & Dhaivat forbidden (varjya) in Aaroh, Both Madhyam, rest all Shuddha Swaras |
Jati | Audhav - Sampurna Vakra |
Time | (9 PM - 12 Night) : 2nd Prahar of the Night : Ratri ka Dwitiya Prahar |
Vishranti Sthan | S G P N - S' N P G |
Mukhya-Ang | ,N S G - G m G - P sM P G m G - P sM G m G - RS |
Aaroh | S G m P N S' |
Avroh | S' N D P M G m G G R S ,N S |
Vishesh : This is a very sweet melody equally popular with both
the beginers as well as experts. P sM G
m G combination is at once characteristic of the Raag. The Shuddha
Madhyam (m) is employed mainly during Aaroh for beautification viz M
P M P G m G or MP D MP D M P G m G or PM DP MP G m G.
Madhyam remains Shuddha (m) in Avroh and only in P M G m G
the Madhyam Teevra (M) is employed. This combination is very useful for
Vipralambha Shringar Alankar (Separation). An occasional use of N
sD P - M P G m G is also noted in expert exponents' presentations
rather than N D P.