Swaras	g,n (Gandhar, Nishad Flat or Komal)
Jati	Audhav Sampurna
Time	3rd Prahar of the day : (12  - 3 PM)
Vishranti Sthan	S m P ; S' P m
Mukhya-Ang	,n  S g m P ; n D P s ; S' ; n D P ; m g R S;
Aaroh	,n S G m P ,n S' ;
Avroh	S' n D P m g R S ; n S P n S;

Vishesh : Among day ragas Bheempalasi is a very sweet and hauntingly pleasent melody. The initial development via Alaap or behlave is done very artistically to produce the raga mood which is then thrown into waves with taans - chains of combinations lasting more than 1.5 or 2 rhythm cycles. The rendering of nishad komal needs practice with the combination G m P n S' n S n S rendering in this way will give the required higher shruti than to nishad.

Illustrative combinations are given below: S ,n ,n S s ; ,n S g s R s ; S R S ,n ; ,n ,n S ; ,P ,n S g ; G m G s R S ; S g m s ; m g P ; Pm DP mg m ; mg Pm Pm gm ; g m P g m ; g g R S ; ,n S m ; Pm g ; g R S ; S ,g m P ; m g P ; P m D P ; n D P s ; Pm DP m ; P m ; g m P n ; Sn n n n S' s ; Pn  PS nR S' ; S'R' S' n n S' n D P ;PD Pm gP m , g m g s R S;