Swaras | g,d,n (Gandhar, Dhaivat & Nishad Komal), Gandhar Varjya in Aaroh, rest all Shuddha Swaras |
Jati | Shadhav-Sampurna Vakra |
Time | (6 PM - 9 PM) : 2nd Prahar of the Night : Ratri ka Dwitiya Prahar |
Vishranti Sthan | |
Mukhya-Ang | m P d n S' - n S' - sd n P - m P - g m R S |
Aaroh | S R m P d n S' |
Avroh | S' n d n P - m P g m R S |
Vishesh : The notes employed here resemble with notes of Raag
Darbari-Kanada,
with the difference that Gandhar (g) is forbidden in Aaroh. This Raag
is rendered mostly in Madhya and Tar Saptaks unlike Darbari-Kanada,
which is more deep and hence is rendered in Madhya and Mandra Saptaks
(Octaves). In this Raag Komal Dhaivat (d) should not be repeated lest Raag
Darbari-Kanada makes its appearance i.e. the combination of notes m
P d d n P should not be employed with deep Gamak
as this is a flittering dynamic type melodic form. The combinations S
R m P - d n P s - m P S' d n P brings out this form and speedy
rendering in Madhya & Tar Saptaks completes the melodic picture of
the Raag.